OM1'OM' stands for "Orchestra Model," but 80 years after this body shape was first designed it has become the most popular 14-fret model with fingerstyle guitar soloists who choose to play on steel strings. Yet flatpickers also find it appealing, and when the graceful cutaway is added these OMs are often used by lead players who routinely explore all 20 frets much as they would on an electric guitar. The compact shape makes the Collings OM equally easy to handle onstage or when sitting on the couch, and the relatively shallow body (barely over 4 inches deep) results in balanced tone and an immediate response.
From the starting point of the wood's density and rigidity, each acoustic guitar top is hand selected, evaluated, and carved to its own unique thickness; maximizing the tonal potential of each top.
Each Collings acoustic guitar, from our most affordable model to the highest end, are built with the finest tonewoods available. Each wood is acquired, acclimated, and hand selected by master luthiers here at our shop who pick each component with the whole tonality of the end instrument in mind.
A combination of exacting PLEK machine leveling and hand fret dressing ensures consistently excellent playability and a silky fret feel.
By meticulously hand-sanding between coats, our nitrocellulose lacquer finishes measure between .005 and .007 inches in final thickness, maximizing acoustical response while providing excellent protection and aesthetics.
Premium Waverly open gear tuners offer exceptional tuning stability and smooth reliable operation.
The pairing of Sikta spruce with a Honduran mahogany back and sides creates a guitar with crisp yet warm articulation and a beautiful tonal balance.
Make It Your Own
With a wide variety of custom inlays, nut widths, neck profiles, and tone wood options; a Collings instrument can be configured to perfectly match your playing style and aesthetic preference.
|Back & Sides||Honduran mahogany|
|Body Binding||Tortoise with b/w/b/w top purfling|
|Bridge||Ebony belly-style with 2 3/16" spacing|
|Fingerboard||Ebony with MOP short dots|
|Bridge Pins/End Pin||Ebony with MOP dot|
|Nut||Bone, 1 11/16"|
|Neck Profile||Modified V|
|Peghead Profile||Tapered square|
|Neck Joint||Mortise & tenon hybrid|
|Truss Rod||Fully adjustable|
|Frets||Medium 18% nickel-silver|
|Peghead Veneer||Ebony with MOP Collings Logo|
|Tuners||Nickel Waverly (16:1 ratio)|
|Scale Length||25 1/2"|
|Brace Material||Sitka spruce|
|Brace Pattern||Pre-war scalloped X-brace|
|Fingerboard Radius||14" - 26" compound|
|Body Finish||High gloss nitrocellulose lacquer|
|Strings||D'Addario EJ-16 (.012"- .053")|
|Case||Deluxe Hardshell case by TKL|
Pete Huttlinger - OM1 Cut
Pete Huttlinger plays "Darcy's Guitar" on his 1997 Collings OM1 Cut.
Pete Huttlinger - OM1 A Cut
Pete Huttlinger plays "Tommy in the Morning" on his Collings OM1 A Cut.
Pete Huttlinger - OM1 Mh SB
Pete Huttlinger plays Monaghan's Jig on a custom Collings OM1 Mh SB.