OM2H 'OM' stands for "Orchestra Model," but 80 years after this body shape was first designed it has become the most popular 14-fret model with fingerstyle guitar soloists who choose to play on steel strings. Yet flatpickers also find it appealing, and when the graceful cutaway is added these OMs are often used by lead players who routinely explore all 20 frets much as they would on an electric guitar. The compact shape makes the Collings OM equally easy to handle onstage or when sitting on the couch, and the relatively shallow body (barely over 4 inches deep) results in balanced tone and an immediate response.
From the starting point of the wood's density and rigidity, each acoustic guitar top is hand selected, evaluated, and graduated to its own unique thickness; maximizing the tonal potential of each top.
Each Collings acoustic guitar, from our most affordable model to the highest end, are built with the finest tonewoods available. Each wood is acquired, acclimated, and hand selected by master luthiers here at our shop who pick each component with the whole tonality of the end instrument in mind.
A combination of exacting PLEK machine leveling and hand fret dressing ensures consistently excellent playability and a silky fret feel.
By meticulously hand-sanding between coats, our nitrocellulose lacquer finishes measure between .005” and .007” in final thickness, maximizing acoustic response while providing excellent protection and aesthetics.
Premium Waverly open-gear tuners offer exceptional tuning stability and smooth reliable operation with a vintage aesthetic.
Sitka spruce paired with an Indian rosewood back and sides is an enduringly popular combination with rich overtones and a powerful bass response.
Make It Your Own
With a wide variety of custom inlays, nut widths, neck profiles, and tone wood options; a Collings instrument can be configured to perfectly match your playing style and aesthetic preference.
|Back & Sides||E. Indian rosewood|
|Body Binding||Ivoroid with herringbone purfling|
|Bridge||Ebony belly-style with 2 3/16" spacing|
|Fingerboard||Ebony with abalone short diamond & squares|
|Fingerboard Radius||14" - 26" compound|
|Bridge Pins/End Pin||Ebony with MOP dot|
|Nut||Bone, 1 11/16"|
|Neck Profile||Modified V|
|Peghead Profile||Square with volute|
|Neck Joint||Mortise & tenon hybrid|
|Truss Rod||Fully adjustable|
|Frets||Medium 18% nickel-silver|
|Peghead Veneer||Stained Exotic Ebony with MOP Collings logo|
|Tuners||Nickel Waverly (16:1 ratio)|
|Rosette||iv/tort/iv & b/w purflings|
|Scale Length||25 1/2"|
|Brace Material||Sitka spruce|
|Brace Pattern||Pre-war scalloped X-brace|
|Body Finish||High gloss nitrocellulose lacquer|
|Neck Finish||High gloss polyester resin|
|Strings||D'Addario EJ-16 (.012"- .053")|
|Case||Deluxe hardshell case by TKL|
Kenny Smith - OM2H
Kenny Smith plays "Song For Emily" on a Collings OM2H.
Pete Huttlinger - OM2H
Pete Huttlinger plays "The Water is Wide" on his 1994 Collings OM2H.
Brooks Robertson - Collings OM2H - “Mountains of Illinois”
Brooks Robertson performs his rendition of Chet Atkins / Pat Bergeson tune "Mountains of Illinois" for the Fretboard Journal.
Italian guitarist and composer Andrea Mele performs his original composition "Rose" on a Collings OM2H.